All Part of the Process

It's been months since I posted anything about writing, but that doesn't mean I haven't been doing anything about writing. What I've been doing, though, is certainly more "about" writing than actual writing. But that's part of the process, and I am slowly (always too slowly) continuing work on the novel I started in November.

At the beginning of this year, I reread the scenes and brainstorms that made up my NaNoWriMo draft, and I was pleased to discover a lot of it was pretty good. It was a mess, but a promising mess. I liked the characters I'd started to develop, and I had ideas about how to further complicate their relationships and make their lives more difficult. (Sorry, characters. I do like you, I promise!) The story world and premise still interested me, and I was excited to figure out more details. In January, I thought I'd take care of a bit of research, sketch an outline, and be ready to start writing a new draft in a few weeks.

Well. I guess if I didn't have an eternally optimistic outlook on my writing, I wouldn't be able to keep going. Because of course it's been rather more than a few weeks, and I haven't started that new draft. But I have done things!

→ I researched many topics extensively, including more than a few topics that are largely irrelevant to the novel.

→ I began an outline but couldn't decide how to refer to the characters since I wasn't sure about the hastily chosen names in the NaNo draft.

→ I renamed all my characters, some multiple times. (Sorry again, characters.)

→ I reorganized my notes, some multiple times.

→ I learned how to use Scrivener features I hadn't tried before, and then let enough time pass without using them that I may have to learn again.

→ I mused about the world of my story, producing thousands of words that won't go into the draft. (This is a for-real accomplishment and essential step.) Some of the worldbuilding even drew on a portion of that extensive research!

→ I felt overwhelmed at the thought of the work ahead of me, while simultaneously imagining the joy of having the work behind me. Now I just have to figure out how to insert myself into the middle part.

Good Stuff Out There:

→ Alexandra Alter at the New York Times looks at how writers are incorporating the pandemic into their novels: "Given how much the virus has dominated our lives, a flood of pandemic fiction is perhaps inevitable. And several authors said they believe it is necessary, noting that unlike the fire hose of news coverage about Covid, which can leave readers feeling numb and overwhelmed, fiction can provide a way to process the emotional upheaval of the past two years."

February Reading Recap

I spent February reading wonderful novels:

→ OLGA DIES DREAMING by Xochitl Gonzalez: Olga has built a successful wedding planning business, managing events for wealthy clients with more money than sense. She gets a thrill, and extra income, from finding opportunities to exploit the rich, but she's increasingly dissatisfied that she's not doing something more meaningful. Her brother Prieto is the do-gooder, a member of Congress who genuinely wants to improve the lives of his Brooklyn constituents. But Prieto has found himself in a compromised position, so he can't do all he'd like for Brooklyn, or for the people of Puerto Rico who he's also trying to help. Both siblings have had their adult lives shaped by their mother, who left the family when they were young in order to pursue the cause of Puerto Rican independence. Since then, she's only communicated by letters from unknown locations, but now she's reaching out in new ways, and it may be time to finally air all the family's secrets.

This fascinating novel opens with a discussion of fancy napkins and unfolds into a story with far more complexity, and sometimes darkness, than I was anticipating. From the start, I was interested in Olga and Prieto and the problems they were dealing with, and then as every new layer appeared, I grew more impressed. At times the book is light-hearted and amusing, but it also gets into weighty subjects including corruption, colonialism, and trauma. While at times the way the characters discuss these topics tends toward speeches rather than dialogue, there is a lot of nuance in the story overall. The many conflicts build to a satisfying conclusion, and the ending left me emotional.

→ DETRANSITION, BABY by Torrey Peters: Reese wants a baby, but as a trans woman who keeps dating married men, she feels this future is out of reach. Then she gets a call from her estranged ex, Ames. He's gotten his girlfriend pregnant, something that also seemed impossible since he was on hormone treatments for years when he lived as a woman, which should have left him sterile after he detransitioned. Ames is overwhelmed by the thought of having a baby with Katrina, and the one way he can imagine it working is if Reese would join them in parenting. The two women have never even met, so both think this proposal is absurd at first. But soon they're intrigued, and the three start exploring the idea of making a family together. This possible future could either provide exactly what everyone wants, or it will all be completely unworkable.

I loved getting to know these characters intimately as they consider their options, and as Reese and Ames's pasts are revealed in backstory chapters. The writing is extremely honest about the characters' thoughts on gender, sexuality, and how their evolving sense of gender impacts every aspect of their lives. I appreciated that the narrative seems to hold nothing back, though it meant reading about some difficult experiences. The story is full of both drama and humor, and I was engrossed throughout.

→ STATION ELEVEN by Emily St. John Mandel: I rarely find time to reread even books I love, but I was eager to revisit STATION ELEVEN after watching the excellent TV adaptation, which makes many changes to the story and characters but captures the novel's spirit. Here's my 2014 review, with some description of what the story is about.

Since I'd just finished the show, my experience of reading again involved a lot of comparison, against both the adaptation and my memory. I felt nostalgic delight at encountering the moments I'd remembered from the book that weren't part of the series. I was frequently surprised by subplots I'd forgotten all about. And while I thought I'd recognized all the changes in the show, I was also surprised to discover that some scenes I thought were taken directly from the book didn't appear in the text at all.

Reading this book in 2022 was of course also different from reading it in 2014, when the concept of a pandemic only existed for me as fiction or history. I'm now back to being able to mostly enjoy apocalypse stories as a sort of comfort read, where the comfort comes from gratitude that our current pandemic remains far short of apocalypse. But I did occasionally have to stop reading and take a few deep breaths.

This novel remains one of my favorites, and the TV series is now a favorite as well. The two are different, each with their own strengths and flaws, but I highly recommend either if you're able to take comfort in fictional apocalypse.

Good Stuff Out There:

→ Susan DeFreitas reflects on her year of reading every Ursula K. Le Guin novel: "I spent the better part of 2019 and 2020 immersed in the work of the great speculative writer Ursula K. Le Guin, and during this time, as my external world grew smaller, my internal world expanded. Even as I traced the same route through my neighborhood each day, I was sailing through an enchanted archipelago—and in a time when travel had become impossible, I voyaged among the stars."

Releases I'm Ready For, Spring 2022

I'm looking forward to an exciting batch of novels coming out this spring! And I'm defining "spring" as the period between today and the end of June, because why not? Who knows how time even works anymore anyway?

→ WHEN I'M GONE, LOOK FOR ME IN THE EAST by Quan Barry (February 22): I loved the quirky WE RIDE UPON STICKS, the story of a girls' field hockey team that turns to dark magic to improve their game. I'm expecting something completely different, but as wonderfully idiosyncratic, from Barry's new novel, which follows twin brothers across Mongolia in search of a great lama's next reincarnation.

→ BOOTH by Karen Joy Fowler (March 8): I've enjoyed several of Fowler's varied books, and I'm excited that she's expanding on the subject of two short stories from the collection WHAT I DIDN'T SEE. The fascinating earlier stories and the new novel are historical fiction about the Booths, a family of famous actors in the mid 1800s, most notable today for producing the assassin John Wilkes Booth.

→ SEA OF TRANQUILITY by Emily St. John Mandel (April 5): I just reread STATION ELEVEN, Mandel's excellent novel about an apocalyptic pandemic, after enjoying the recent TV adaptation. Her strange and compelling THE GLASS HOTEL was published right at the start of our real life pandemic. This new book involves the author of a bestselling novel about a pandemic, and maybe there's also a pandemic happening, and also she lives on the moon? Plus there are at least two other plotlines occurring centuries apart. It sounds completely wild, and I can't wait.

→ THE CANDY HOUSE by Jennifer Egan (April 5): When I read A VISIT FROM THE GOON SQUAD ten years ago, it took me a little time and discussion to deepen my appreciation of the book and its tightly linked stories that may or may not count as a novel. But in the decade since then, I've found myself thinking back on many ideas and images from the story, so it certainly made an impact. I was intrigued to learn Egan would be revisiting the characters in a similarly structured book that may or may not count as a sequel.

→ WOMAN OF LIGHT by Kali Fajardo-Anstine (June 7): After I read the strong story collection SABRINA & CORINA, I was eager for the novel Fajardo-Anstine was working on. I'm delighted to see it's a multigenerational family saga with the requisite secrets, meaning it's in one of my favorite genres.

→ THE MEN by Sandra Newman (June 14): I was a fan of the time-bending THE HEAVENS as well as the post-apocalyptic THE COUNTRY OF ICE CREAM STAR. The latter is set in a future when there are no longer adults, so it's interesting that THE MEN is about a world in which there are no longer men. It's a concept other writers have explored, but I'm sure Newman's take will be unique.

→ INVISIBLE THINGS by Mat Johnson (June 28): I've read two of Johnson's previous novels, and both were a lot of fun. In LOVING DAY, the adventures in family and education are grounded in Philadelphia. In PYM, characters take a wild journey to Antarctica and encounter strange creatures. This new novel send characters all the way to Jupiter, where there may be aliens, and there's sure to be some excellent satire.

Good Stuff Out There:

→ N. K. Jemisin shares her step-by-step process of revision, or Book Renovation: "During this process, the book will no longer be a readable draft. The insertions will create contradictions, the deletions may leave plot holes; anyone who tries to read it from start to finish will end up very confused. That's okay. These are gut-renovation-level changes, leaving the load-bearing walls in place while the other walls get moved and the old wiring gets replaced. It ain't supposed to be pretty."

January Reading Recap

I started off the year with some great and varied reading:

→ THE SENTENCE by Louise Erdrich: Tookie is released from prison after serving a sentence of many years for her involvement in a strange crime. She gets a job in a Minneapolis bookstore and lives a normal life for a while, until the store becomes haunted by a customer who is as annoying in death as she was in life. This happens in November 2019, and as the haunting becomes more ominous, so do events beyond the bookstore. The pandemic arrives, and Tookie's family faces the terror and confusion of trying to avoid sickness. Then Minneapolis police kill George Floyd, the city erupts in protest, and they try to find ways to help while staying safe. Meanwhile, the ghost still lurks as the one threat that just might be surmountable.

There's a beautiful rawness to this novel. Tookie's narration lays bare the unprocessed emotions she's coping with, often putting into words the feelings that many experienced in 2020. The narrative itself seems raw in places, not as polished as it might have been with more time, but that's not a shortcoming in this case, and I'm glad Erdrich crafted this story while the events are still fresh. Much that happens in the book is hard to read about, but there is also delight. The story contains a huge amount of love, for both people and books, and a fair amount of humor. Tookie and all the other characters are going to stay with me, and if I ever get to visit the real Birchbark Books, I'll be disappointed not to find them there (other than Erdrich, who has inserted herself into the novel)!

→ CIRCE by Madeline Miller: Circe, daughter of a Titan and a naiad, grows up among divine immortals who scorn her for lacking beauty and power. As a child, she has a brief encounter with Prometheus and is fascinated by his connection to mortals and the kindness that results in his eternal punishment. When Circe finally has a chance to meet a mortal herself, she falls in love, and in her desire to have him, she discovers the power that's been hiding within her. Circe is a witch, able to wield powerful magic, and this magic results in her exile to a deserted island. She's sentenced to captivity there for eternity, but gods and mortals come and go in the centuries that follow, and Circe plays her part in what will become the epic tales of heroes and monsters.

I'd encountered so many enthusiastic reviews of this book, and it really was as good as everyone said. Circe is a fascinating, complicated character, and so are the other figures of myth and legend who Miller portrays in surprising and nuanced ways. The relationships Circe forms with mortals are full of strong emotions, with the tragedy of their finite lifespans always lurking in the background. Most of the book's plot is drawn from ancient stories about Circe, some I was familiar with but most I never knew or forgot about, so my reading experience was a fun mix of anticipating what was ahead, having no idea, and being impressed by how Miller combines and skews existing material. The novel is written as a look behind the myths at what really happened and how much more power Circe and the other women actually held, and it succeeds wonderfully.

→ THE SEVEN HUSBANDS OF EVELYN HUGO by Taylor Jenkins Reid: Monique is a young journalist just starting out. Evelyn Hugo is an aging movie star, famous for her career, her beauty, and her seven marriages. Inexplicably, Evelyn approaches Monique with the exclusive offer to write a tell-all biography. She won't say why she chose Monique, and she won't answer the question of who was the great love of her life, but she promises all will be revealed by the time she finishes telling her life story.

The answer to the second mystery is the reason you might want to pick up the novel: Evelyn's great love is a woman, and the two can't be public about their relationship due to the times and their celebrity, a strain that drives them apart more than once. Evelyn, who is bisexual, marries some of her husbands for love and some as a front. The intricacies of the many relationships makes for an absorbing plot. However, despite some character complexity and good emotional moments, I often found actions and reactions unconvincing, driven more by plot needs than character motivations. The story's most contrived and poorly set up element is the big secret of why Evelyn is talking to Monique, and this would have been a better book without that frame.

Good Stuff Out There:

→ In Uncanny Magazine, Meg Elison writes about the importance of portraying bodies: "In all the fiction and nonfiction that I read, I am searching for the body. In fiction, I want to know how a character feels; how they churn and bleed, how they laugh from deep in the belly or cry their crocodile tears, how they plunge their hands into dry beans for the pure sensual joy of the act, or crush a half-rotten orange beneath a chunky heel just for the pleasure of decayed destruction in the gutter. Each of these actions of the body tells me something about the character and something else about the world. It is as important as dialogue and as plot, and it is the inescapable fact of the meat that carries our consciousness."

→ And in the same issue, Lincoln Michel considers the presence and absence of bodies in cyberpunk: "Science fiction—and especially cyberpunk—loses something essential when the flesh fades away in the pixels. Because cyberpunk is the genre that can examine what emerging technologies are doing to us. How they will impact and change humanity."

2021 By The Books

It's time once again to look back at my most recent year of reading and celebrate my favorites among the many good books.

I read 39 books in 2021, which is fewer than the previous year, and the same number as the year before that. I noted in 2019 that two-thirds of the books I read were published that year, and 2021 had the same fraction of new releases, with most of the rest from the past couple of years. Other than newness, there's little pattern to what I read, and I enjoyed sinking into a wide range of stories, genres, styles, and worlds. All my reviews are available in my monthly recaps, and each recommendation below includes a link to the month containing the full review.

My reading year started off with an excellent collection of nuanced short stories, THE OFFICE OF HISTORICAL CORRECTIONS by Danielle Evans (January). Later in the year, I made a renewed effort to read more short stories, particularly in speculative genres. I was impressed by two speculative fiction anthologies, IT GETS EVEN BETTER: STORIES OF QUEER POSSIBILITY edited by Isabela Oliveira and Jed Sabin (September) and NEW SUNS: ORIGINAL SPECULATIVE FICTION BY PEOPLE OF COLOR edited by Nisi Shawl (November/December). Both contain a fantastic variety of inventive, effective stories.

In pursuit of writing more effective stories myself, I read a couple of writing guides that proved both useful and entertaining. THE CYNICAL WRITER'S GUIDE TO THE PUBLISHING INDUSTRY by Naomi Kanakia (August) discusses tactics for making manuscripts more appealing to publishing gatekeepers. NEVER SAY YOU CAN'T SURVIVE by Charlie Jane Anders (October) offers practical techniques and encouragement for producing first drafts even during difficult circumstances. I recommend either book for writers who need advice in those areas. The other advice book from last year that I recommend to anyone is SPECIAL TOPICS IN BEING A HUMAN by S. Bear Bergman, illustrated by Saul Freedman-Lawson (September). This graphic guide pairs thoughtful words with personality-filled illustrations to help in the pursuit of being a better human.

As usual, novels made up the bulk of my reading year. These stand out as my favorites:

→ MATRIX by Lauren Groff (October) follows a twelfth century nun from her unwilling arrival at an abbey through a long, fascinating life of service and leadership. It's a beautiful, unpredictable story about a complicated woman claiming power and wielding it for good.

→ HAMNET by Maggie O'Farrell (August) also features a woman taking charge to the extent she can in a time and situation of little power, when the plague infects her family. Like MATRIX, this story is spun from the scant details known about historical figures, and the result is a surprising and compelling narrative.

→ THE FINAL REVIVAL OF OPAL & NEV by Dawnie Walton (April) is pure fiction, written as such a convincing oral history that it's easy to believe the characters really skyrocketed to brief musical fame in the early 1970s. Music is at the heart of this outstanding novel, but it covers so much more about race, gender, loyalty, and time.

→ GOOD COMPANY by Cynthia D'Aprix Sweeney (May) also takes a hard look at how the passage of time changes relationships and allegiances. This emotional story provides a portrait of four friends and their evolving lives in the acting worlds of New York City and Los Angeles.

→ THE FIVE WOUNDS by Kirstin Valdez Quade (May) balances the deep emotion of its family story by finding humor in the absurd details of life. Three generations are thrown together while they're all facing huge challenges, and I was quickly invested in these sympathetically flawed characters.

→ HARLEM SHUFFLE by Colson Whitehead (October) also makes great use of humor in telling the story of a family man and schemer who's pulled between straight and crooked paths. I enjoyed getting to know all the excellent characters in and out of the crime world and watching New York City change around them in the early years of the 1960s.

→ THE HIDDEN PALACE by Helene Wecker (August) plays out in a changing New York City as well, while the title characters from THE GOLEM AND THE JINNI continue their immortal, secretive existences through the first decades of the twentieth century. This rich sequel expands and further complicates the already expansive story and magical characters of the first book, and I recommend reading both.

→ THE ONLY GOOD INDIANS by Stephen Graham Jones (February) is recommended only for readers who can tolerate extremely grisly images for the sake of an incredible story. The carefully structured plot follows a group of friends haunted by elk they hunted years earlier, and the story is far more than scares, with a lot to say about relationships between people and relationships with the past.

→ FOLKLORN by Angela Mi Young Hur (July) concerns another character haunted by an elusive being from her past. In this ambitious, unconventional novel, a scientist is visited by her childhood imaginary friend, leading to an investigation of folklore, family mysteries, and the questionable boundary between story and reality.

→ WE RIDE UPON STICKS by Quan Barry (January) also tests the bounds of reality when a high school field hockey team taps into local witchcraft to improve their playing. The novel is quirky, funny, and at times quite moving, packed with 1980s nostalgia and tales of young women finding ways to wield power.

Good Stuff Out There:

→ Tom Bissell, who has written magazine pieces, nonfiction books, stories, and for television and video games, summarizes the writing process in each medium: "Do reporting. Visualize piece in your mind while reporting. It will be long, thoughtful, discursive (but not too!), and definitive. Longform will link to it. It will be glorious. Start writing. Not glorious. Nothing about this is glorious. When stuck, create multiple graphs and flowcharts to illustrate how scene work, reporting notes, and research notes will crosshatch and enrich one another. Frown as they do not crosshatch and enrich one another."

November/December Reading Recap

I wrapped up my reading year with a lot of great books:

→ NEW SUNS: ORIGINAL SPECULATIVE FICTION BY PEOPLE OF COLOR edited by Nisi Shawl: This anthology offers a great range of styles, tones, and genres, presenting science fiction, fantasy, horror, and stories less easily classified. Every story made an impression, but these are the ones that will stick with me most:

• The first story, "The Galactic Tourist Industrial Complex" by Tobias S. Buckell, quickly drew me in with an Earth dominated by alien tourism and the problems of the tour guide protagonist.

• The engrossing "The Virtue of Unfaithful Translations" by Minsoo Kang is written as a scholarly analysis of archived documents that uncover the truths behind a misunderstood historical event.

• "Burn the Ships" by Alberto Yañez is a gut-punch of a story about a husband and wife taking two different approaches to magic against the colonizing forces that have imprisoned their people.

• "The Freedom of the Shifting Sea" by Jaymee Goh tells an intense, sexy, constantly unexpected tale of love with an immortal sea creature.

• I loved the subtle shifts in "The Robots of Eden" by Anil Menon, a family story that gradually reveals its science fictional aspects.

• The anthology ends strong with the inventive "Kelsey and the Burdened Breath" by Darcie Little Badger, in which the lingering last breaths of the dead need to be herded onward by the human main character and her dead sheepdog.

→ BLUE-SKINNED GODS by S.J. Sindu: Since he was a little boy, Kalki has been told he's the tenth human incarnation of Vishnu. The proof is that he has blue skin, and Kalki accepts these facts about himself, believing he's a god. His parents raise him in an ashram, where villagers come to pay tribute and receive Kalki's healing blessings, and little of the outside world filters in. When Kalki is ten years old, he first begins to doubt his powers after a sick girl he tries to heal is slow to recover from her illness. As he gets older and learns more about the world, he has many more questions, and far more doubts.

I like the way this story develops, starting with Kalki narrating as a child who yearns to understand the events happening around him but has little information to go on. The plot takes many surprising turns as he grows up, and I never knew what to expect but was always deeply invested. Kalki is a complex character facing a slew of conflicts, both internal and external, and the members of his family also receive nuanced depictions. The novel wrapped up faster and sooner than I expected, and I was sorry not to learn more about how Kalki's life turned out.

→ SEVERAL PEOPLE ARE TYPING by Calvin Kasulke: Gerald finds himself in a strange workplace predicament: He's somehow trapped inside his company Slack. One moment, he was at his desk at home, and the next, he's a disembodied entity within the corporate chat application. None of his coworkers believe him when he explains this, of course, and they think he's abusing the work-from-home policy. But it turns out he's a lot more productive without the distractions of a body, and anyway his colleagues are all dealing with their own problems, some of which end up being almost as strange as Gerald's.

This workplace comedy written entirely in Slack messages is very weird and very funny. I had a great time getting to know these characters and following along with their jokes and dramas. The story really is odd, and the humor is quirky as well, but it worked for me. The book is a short, fast read, so if you're intrigued, I encourage you to check it out, though if you don't know anything about Slack, I expect it will be harder to get into.

→ THE PLOT by Jean Hanff Korelitz: Jake teaches writing at a third-rate MFA program because his career as a novelist fizzled after an early success. Every year he resents his job more, and he never expects to find any talent among his students. Of course it would be the most arrogant jerk in his class who demonstrates some skill, but Jake is skeptical of the guy's claim that he's working on a novel with an unbeatable plot. Then the blowhard privately reveals the plot, and Jake is seized with the jealous realization that this unworthy person is going to produce a bestseller. So when some time later Jake learns that his student died before ever completing the novel, it's easy to justify that he should bring the amazing plot to the world himself in a book that does indeed become a huge bestseller. After all, nobody will ever know, right?

This was a lot of fun to read. The insidery parts about the publishing world delighted me, the humor made me laugh, and I enjoyed guessing at what was coming next. While I did figure out most of the twists (brag, brag), I still found the story clever and well constructed. Much suspension of disbelief is required, but I was willing to go along with that in order to appreciate this entertaining thriller.

→ PERHAPS THE STARS by Ada Palmer concludes the Terra Ignota series, an ambitious story of politics and power set in the twenty-fifth century. In this fourth book, the systems that have kept the Earth peaceful for centuries have broken down due to pressure and corruption, and world war has erupted. While the major divisions of global society are divided into two sides, many smaller factions and hidden conflicts complicate the conflict. Everyone is fighting for what they see as the best path toward the future, and nearly everyone wants as little loss of life as possible, but war is still hell. This final installment switches up the narrator but continues to provide an insider's chronicle of world leaders as they scramble to gain control, maintain their principles, and eventually achieve a new peace.

Many aspects of PERHAPS THE STARS captivated me, many others left me frustrated, and I kept wishing I was reading a shorter novel. I've consistently praised these books for their ambitious scope, but in the third and fourth installments, I felt the story was attempting too many things that didn't all land successfully. I'm glad I read this series, which contains so much that's going to stick with me, but I'm sorry to not end up as enthusiastic as I was after the first two books. The story's culmination was still extremely satisfying, and I remain so impressed by the world Palmer has created.

Here Again

Here we are near the end of another year, the time to look back and cringe over whatever forecasts and hubris may have been expressed a year ago. Last December I had enough sense to keep a damper on my expectations, though I did still declare my belief in 2021 "growing gradually better." Progress has been a lot more forward and back, up and down than most of us might have imagined. I am grateful for the ways science made 2021 less frightening than 2020, and sorrowful that disease and human factors produced another year of tragedy nonetheless. I will predict nothing about what's ahead for the world. though my hopes are for the best, or at least the not-worst.

I remained extremely fortunate this year, staying healthy and safe, with many opportunities for joy even in the difficult times. Writing came easier than last year, and I was focused on fiction projects during more months than not. In 2021, I revised a short story to completion and began submitting it, and I built a solid foundation for a novel idea I intend to keep working on.

The short story was one I wrote in three days during August 2020 and did two more drafts of (well, maybe four, depending on how you count) before the end of the year. I spent much of the first half of this year on a slow, careful revision to address weaknesses pointed out by early readers and get the story into the shape I wanted. Then there was one more fast, intense, deadline-driven edit to make it as good as I possibly could, and I sent it out into the world. I received a polite rejection from the first publication I tried, and more from the next ones, because this is a competitive market, and there are so many good stories out there. I'll keep trying with this story, as well as mulling over some other ideas that might become short stories.

Getting started on developing a new novel idea was my biggest creative accomplishment of the year, even though I'm still a long way from having a solid draft. I'd been feeling a lot of angst about a lack of new ideas, so it was a relief to hit on a concept that has promise. I spent October on worldbuilding and preparation for writing, and November doing NaNoWriMo for the first time in many years. I successfully wrote 50,000 words that will form the basis for the large amount of planning, outlining, and drafting I have ahead. Go, me!

Also in 2021, I was active early in the year with FOGcon's virtual events committee. It was fun and rewarding to help create online gatherings for our usual con attendees, as well as welcoming far-flung speculative fiction fans who would never have made it to our small local con in person. Since the summer, I've been less involved in organizing, but others have continued to put on a series of great events that will extend into next year.

This was another year where simply getting through was achievement enough, and I am pleased and fortunate that I have so much else to report. As this year of uncertainty winds down with more uncertainty, I hope you have something to celebrate. I'm wishing everyone the best.

Good Stuff Out There:

→ For The Millions, Mark Cecil talks to other authors about the emotional payoffs of stories: "If you're going to end high, you have to start low. If you're going to end low, you have to start high. The beginning is reverse engineered from the end. Most character arcs can be boiled down to this: 'It’s a story about a character who begins at X and must overcome Y to get to Z.' But in the writing process, Z comes first. Without Z, you don't know what Y or X must be. Without Z, you don't have a story."

Story Time

This is the usual point in the month when I post my reading recap, reviews of the generally three, occasionally more, books I read during the previous month. But in November, I was so busy writing 50,000 words that I only had time to finish one book and get through half of another long one. So I'll be discussing those books in a double-month recap in early January, and instead today I'm going to talk about reading short stories.

The one book I completed in the past month was a great story anthology, NEW SUNS: ORIGINAL SPECULATIVE FICTION BY PEOPLE OF COLOR, edited by Nisi Shawl. My review is already posted on Goodreads and highlights my favorite among the many excellent stories, with links to the ones also published online.

So much good short fiction is published online. This is a wonderful and also overwhelming thing. My computer is full of browser tabs open to stories, lists of links to stories in my notekeeping app, files in other applications containing more lists of links, and oh yeah, here are some more story tabs on my phone. I want to read all these stories, because they came recommended, or are by authors I like, or have an intriguing title and first paragraph that made me curious to read on. And while I know for sure I'll never have time for all the novels I want to read in my lifetime, it always seems within the realm of possibility that I'll get to all those saved-up stories.

Every once in a while, I'll try to establish a practice of reading a story every morning, or at bedtime, or whatever, but the habit never sticks for long. I am fortunate to have more time for reading than most people, but there is still only so much time, and though I want to read all those random stories, I also want to read from the infinite list of books. (It doesn't help that I seem to read far slower than the average person who does a lot of reading.) As a result, despite a recent renewed effort to read more stories online (specifically at several sites curating speculative fiction), I've had more success reading stories collected into books.

NEW SUNS was the second anthology I read in the past few months. The first was IT GETS EVEN BETTER: STORIES OF QUEER POSSIBILITY, edited by Isabela Oliveira and Jed Sabin, which I raved about in my September recap. I was previously somewhat hesitant about picking up anthologies, since they contain a bunch of different styles of stories by many different people I maybe haven't heard of... and now I realize that's exactly what's so great about a good anthology, and also exactly what I would get if I ever managed to read through my story lists.

During my latest burst of seeking out stories online, I noted a few I wanted to recommend. These are definitely a wide range of styles, with authors who were new to me:

→ "Saint Natalis of the Wolves" by Emory Noakes crosses Catholicism with animal energy.

→ "Proof by Induction" by José Pablo Iriarte tackles math, grief, and family. (I also enjoyed reading about their process of arriving at this story.)

→ "Rebuttal to Reviewers' Comments On Edits For 'Demonstration of a Novel Draconification Protocol in a Human Subject'" by Andrea Kriz has a lot of fun with its format.

→ "Look to the Future" by Louise Hughes is a clever exploration of a character who is unusual in not being able to see the future. (The author discusses the story here.)

I'll keep attempting to make time for more online story reading, and I'll probably be checking out more anthologies soon. I'm also looking forward to reading EVEN GREATER MISTAKES by Charlie Jane Anders, a new collection of stories, many she previously published online at links that appear on my lists somewhere but that I never got around to reading.

Good Stuff Out There:

→ At Literary Hub, Hilma Wolitzer describes What It's Like to Keep Writing at 91: "Elderly now, I find that language can be elusive, and not just when I'm trying to write. Like many people my age, I seem to lose a noun or two every day lately. They're like buttons that have fallen off my shirt and rolled under the bed, and I can't bend down to retrieve them. I can no longer count on my famous short-term memory either. Recent events can seem as ephemeral as dreams."

NaNoWriMo Success!

I've completed the National Novel Writing Month challenge to write 50,000 words of a new novel in November. As I posted last month, this was my return to NaNoWriMo after many years away, and my hope was to kickstart the drafting of a novel I was still very much figuring out. What I wrote this month didn't turn out to be so much a first draft as a lot of finding my way into the world, the characters, and the story. The demanding word count goal forced me to make progress much faster than usual, and while that speed produced some garbage, it also sparked some new, surprising ideas. So I consider the month a success at all levels.

To reach the 50,000 word goal (the length of a short novel) in 30 days requires writing an average of 1667 words each day. I started out the month keeping to about that pace. The first few days were slow while I tried to remember how to not worry so much about sentence quality, and as I stopped to think up names for every character who appeared. Then I eased into the NaNo groove and began writing faster and with more abandon. Some days meeting the word count was easy, others it was a slog, but I made myself get my words in every day.

About halfway through the month, I'd written every scene I'd imagined in advance and then some. I had the setup for a story, not much sense of where to go next, and many doubts about whether there even was anywhere to go. I'd already written some scenes and character explorations that fell outside the main storyline I was writing, so I decided I'd better do more of that, plus some writerly musings that I'd allow into my word count. Writing down my streams of thought about plot and character turned out to be an even faster way to generate words, and I realized I could probably reach 50k before Thanksgiving and be able to relax over the holiday long weekend. I ended Wednesday, November 24 with 50,108 words, recorded my win, and then happily put the story almost entirely out of my head.

Now I'm ready to start looking again at what I produced in the mad rush of November. About half the words I wrote are the first part (and a bit of the middle) of the novel this will eventually become, though much will change based on some new directions I worked out later. About 10k words are me posing questions to myself like "Where are the current characters headed, and what would improve their arcs?" and then brainstorming answers. The rest are experimental threads of trying out different character voices, backstories, and world details, and some of those turned out to be the most compelling stuff I wrote. In the final three days, I came up with two new characters who I'm excited to figure out more about. This mess of words is hardly a novel, but it's a lot of good material toward a novel, and I didn't have any of it a month ago.

I'll be letting these ideas percolate as the year winds down. I may start on some research and outlining, but most of that will come in the new year, when I intend to get back to work on this story in a major way. The NaNoWriMo site is set up for tracking word count goals at any time, and since I found the graphs there motivating, I may give myself another goal early in 2022.

I'm glad I decided to participate in NaNoWriMo again this year. The real goal of the event is the satisfaction of writing some words that wouldn't have been written otherwise. I've been happy to hear from many friends who also accomplished that success, regardless of whether they technically won. Congratulations to all of us!

Good Stuff Out There:

→ Elisa Shoenberger at Book Riot offers A Tiny History of Miniature Books: "I was over the moon when I found out that President Franklin Delano Roosevelt was a famous collector of miniature books, amassing 750 of them, some gifts from Eleanor Roosevelt.... He's not the only president to have engaged with little books. There was a miniature book for Theodore Roosevelt when he was campaigning, [book expert Anne] Bromer said. Many years later, President Gerald Ford worked with a printer in California, Bromer noted, to make two miniature books of his speeches, which he signed." (And don't miss the link to the 1832 miniature guide to birth control.)

October Reading Recap

Once again, my reading month was busy, varied, and great:

→ MATRIX by Lauren Groff: In 1158, young Marie is ejected from Eleanor of Aquitaine's court and made the prioress of a remote, impoverished abbey. Marie has no desire to become a nun, to lead a religious life, or to be separated from the radiant Eleanor. Life at the abbey is terrible at first, and Marie goes hungry with the rest of the nuns and dreams of rescue. But when she accepts that nobody else is coming to save her, Marie takes control, making changes to bring the abbey money and status. She starts having visions that guide her in reshaping the community of nuns into a prosperous, powerful enclave of women.

I loved this beautiful, surprising story of a woman claiming power and wielding it for good. Marie is an excellently complicated character, motivated at different times by lust and love, by selfish and altruistic desires, by revenge and justice. (Groff created her starting from the few details known about the real medieval poet, Marie de France.) The many other women who inhabit the novel receive complex, compassionate portrayals as well. The story spans 50 years, with many events summarized, yet the narrative remains gripping and specific throughout. I wouldn't have guessed that I was going to find a novel about twelfth century nuns this compelling!

→ NEVER SAY YOU CAN'T SURVIVE by Charlie Jane Anders is a mix of writing inspiration and craft advice on "How To Get Through Hard Times By Making Up Stories". The book was originally published as a series of essays at Tor.com that are still available online, but I appreciated having it to read in a single volume. This was definitely the writing guide I needed right now.

Anders talks about why stories are important even in (especially in) circumstances that make writing feel frivolous and pointless—and I found her arguments convincing in a way I often don't when this topic is discussed. She shares personal accounts of how reading and writing helped her through bad times, and she details how her writing changed in response to real world challenges. Interspersed with the encouragement is realistic, practical advice on producing first drafts even when writing is hard. I've long been a fan of Anders's craft advice, and here she focuses on the discrete elements and temporary decisions that can help get something down on the page to be improved later. The book includes some exercises to jumpstart writing sessions. While it's aimed at an audience of speculative fiction writers, most of the material would be equally useful for any genre. If you're feeling stalled or hopeless in your writing, I recommend this book or the individual online essays.

→ HARLEM SHUFFLE by Colson Whitehead: Ray Carney is proud to own a legitimate business, a reasonably successful furniture store in 1959 Harlem that will eventually finance a nicer apartment for his growing family. Carney is definitely not a crook like his late father or his cousin Freddie, even if he occasionally moves some merchandise of dubious provenance. When Freddie shows up talking about pulling a heist, Carney wants nothing to do with it, but he ends up involved in the scheme anyway. In the following years, as business thrives thanks to both showroom and back room dealings, there are more schemes, and Carney has to figure out how to exist at the intersection of straight and crooked.

Colson Whitehead has of course written another novel full of impeccable sentences, nuanced characters, and well-considered moments. Because the subject matter of HARLEM SHUFFLE is less grim than his previous two books (THE UNDERGROUND RAILROAD and THE NICKEL BOYS), he has more opportunities to focus on the humorous and ridiculous in his characters' situations, and this story is frequently funny. There is also plenty that's serious as Carney deals with racism, colorism, and the changes Harlem faces over time, through the riots of 1964 (in response to the police killing of a Black teen).

The plot of HARLEM SHUFFLE revolves around the details of several crimes, but this is a crime story in the same way that Whitehead's ZONE ONE is zombie story: heavy on digressions and character explorations that often leave the genre element in the background. But I'm a devoted fan of Whitehead's style by now, and I was happy to ride along with Carney even when it took a while to get to the action. I especially enjoyed getting to know all the story's excellent characters and watching Carney's life and the city around him evolve.

→ DEAR EDWARD by Ann Napolitano: A full passenger jet crashes during a transcontinental flight, and the only survivor is 12-year-old Edward. His injured body will heal, but he's emotionally shattered by the loss of his parents and the older brother who was his best friend. Edward is barely functioning when he's taken in by his aunt and uncle, who are consumed by their own grief. The three of them have to figure out how to become a family and find a path out of tragedy, all while dealing with the media attention Edward is receiving as the miraculous sole survivor. The girl next door is the only person Edward encounters who treats him like a kid, not a miracle, and her friendship is the first comfort he finds after the accident. As Edward's life moves forward, another thread details the doomed flight from the perspective of several passengers, each focused on their own problems and planned destinations.

I liked many things about this novel, though others didn't work as well for me. I was most impressed by Napolitano's portrayal of Edward's mental state, which makes use of surprising metaphors and taps into some very raw emotions. In general, I appreciated everything in the story that was unexpected and specific, such as the way Edward's friendship with Shay develops and the nuanced dynamics between Edward and his aunt and uncle. While the characters on the plane have some original flourishes, they struck me as more cliched and not as fully drawn as the characters in the aftermath. I also found the letters somewhat contrived and was disappointed by where they took the plot in the last third of the book. This was a good read, but I didn't love it like many other readers.