Well, I've certainly done a lot of reading since I last posted! These are all the books that kept me busy this summer when I wasn't writing or having family fun:
→ THE OLD DRIFT by Namwali Serpell is a novel that contains multitudes, and to describe too much of the story would take away from the joy of discovery. The joy (and pain, and question) of discovery is how the story opens, in fact, with a chapter narrated by a British explorer who's one of the first white settlers to "discover" the wonders of Africa. With much personality and prejudice, he tells of his life in colonial Rhodesia, including a chance encounter that seems to link together the fates of three families for generations to come. These descendants are vivid, unusual characters, and as Serpell weaves their complicated story, she follows the history of Zambia from colonial rule through independence and into the future.
This is a big, juicy novel full of difficult family dynamics, strange repercussions, historical and cultural details, and narrative quirks. I read it slowly because there was a lot to absorb, and I enjoyed stopping to look up the many unfamiliar words and references. It was fascinating to realize that some of the characters are real figures. The one source I avoided consulting was the family tree at the front of the book, because I found it more fun to wait for the story to reveal the connections.
Serpell is a great writer at both the storytelling and sentence levels. She delights in languages and wordplay, making her prose a delight to read. While the characters in THE OLD DRIFT often experience tragic circumstances, what sticks with me is the sheer pleasure of reading it. If this sounds like your kind of book, I highly recommend it.
→ In BECAUSE INTERNET: UNDERSTANDING THE NEW RULES OF LANGUAGE, Gretchen McCulloch chronicles how communication styles, slang, and other language elements have evolved with the changing internet. Her analysis is rigorous (but always entertaining!), grounded in historical dialect studies and a taxonomy of internet usage patterns laid out in a chapter called "Internet People". In that section, McCulloch explores the ways different groups experience the internet based on when and how thoroughly they came online, and how this relates to linguistic conventions such as punctuation usage.
I appreciated that McCulloch brings a deep understanding of the internet to her investigation of online language. Anecdotes about her own life as an Internet Person provide a personal touch, and comparisons to language developments from analog communication modes give weight to her arguments. McCulloch's insights are nuanced, clever, and frequently funny, whether she's charting the history of memes or explaining how emoji substitute for the gestures that occur face to face. This book is a perfect blend of informative and fun. I learned, I lol'd, and I learned how the meaning of "lol" has transformed.
→ EVVIE DRAKE STARTS OVER by Linda Holmes: Evvie is in the middle of packing up to leave her husband when he dies in a car accident. A year later, she's struggling with the isolation and shame of her non-grief, because she lives in a small Maine town where everyone knows her tragedy, and she's never told even her best friend that her marriage was terrible. Evvie can barely motivate herself to work, so to help pay the bills, she agrees to rent out part of her house to Dean, who's looking for a small town where he can hide from his problems. Dean used to be a star pitcher for the Yankees, but he was forced into early retirement after mysteriously losing his pitching ability. He moves in on the condition that he won't ask about Evvie's husband and she won't ask about baseball. But soon they're both breaking the deal and pushing each other to address their problems, help that is sometimes appreciated and sometimes a big obstacle to their growing attraction.
Evvie and Dean are great characters, and I was rooting for their relationship from the start. I appreciated both the lighter moments in the story, like the natural way the characters joke and make pop cultural references, and the heavier ones where they cope with depression and anger. The pacing is a bit uneven, and I was frustrated when some threads and characters were dropped for stretches. Overall, though, this is an engaging story, and I'm eager to read more from Holmes in the future.