It's time to move ahead in our journey through my childhood writing, so I braved my next teenage Steno notebook (#4, for those keeping track). As I read through its pages, many entries made me laugh, and even more provoked cringes. One piece of writing stood out by causing the most of both reactions.
In addition to its other exceptional qualities, this work is noteworthy because it's written as a play. When I started writing creatively in my free time during high school, one of my first efforts was a short play, but I only experimented with the format once or twice more before the piece we'll consider today. I frequently attended theater at the time, both school and professional productions, and I auditioned for every school play, though I was rarely cast, so it's no wonder I had an interest in playwriting.
Like most of my adolescent works, this one is unfinished, exhibiting my usual struggle with plot, so prepare to be left hanging. As you'll see, I put a lot of thought (a lot of thought) into elements that in retrospect weren't the most important to focus on:
(This is a very minimalistic play. What else can you expect from a play that consists entirely of one side of a telephone conversation? Consequently, the set, props, and lighting are of little importance. The play takes place in CAROL's college dorm room. All that is required are some books, notebooks, a bag of pretzels, a can of soda, some other random clutter, and of course, the all important telephone. To eliminate the need for furniture or walls, the stage can simply be darkened, and CAROL may sit center stage in the light of a large spot. Make sure the light is not too bright or harsh, as the audience needs to look at it for the entire play. Another note concerning comfort: Be sure the telephone can be comfortably held for a long period of time. A shoulder rest which attaches to the handpiece may be used, if desired.
What is important in this play is that the audience be able to follow CAROL and NICK's conversation. The actress playing CAROL should determine exactly what NICK is saying at each pause and wait the correct length of time before speaking again. Small changes may be made in the lines as the actress or director sees fit, in order to aid in comprehension or to sound more natural.
There are few stage directions. The actress may do whatever seems natural while talking on the phone: sit up, lie down, eat, drink, doodle, do leg lifts, etc. These actions should be spontaneous and unplanned.