After a new year begins, I like to take a look back at my reading trends and favorite books from the year before.
In 2016, I read 35 books. In last year's roundup, I reported that I'd just managed to match the 36 books I read two years previously (the in-between year was an outlier of record reading). I was intending to at least hit and ideally surpass 36 this time, and I thought I'd squeeze in some short books at the end if necessary to reach the magic number, which nicely averages out to three books a month. Of course this plan was kind of silly, and I decided not to let it bother me (too much) that I fell just short of the earlier number.
I'm always going to experience some disappointment over the number of books I read in a year, because there are always more books than I have time to read. I find a pace of three books a month generally workable, and it lets me get to a decent selection of the books I'd like to read. However, on occasion I end up reading when I really ought to be writing, not just because it's more fun but because I feel responsible for reaching my book quota, and again, that's kind of silly. I hope I can arrange my time to enjoy roughly the same number of books in 2017, but I'm also going to try for a more sensible approach, so we'll see how it goes.
Over time, my reading has shifted toward new releases as I become increasingly tuned in to various sources of book news. This year I got especially organized about tracking and reading books as they were published (next week I'll share another installment of Releases I'm Ready For). As a result, two-thirds of the books I read this year were published in 2016. A handful of others were 2015 catchups, a few more from the earlier years of this decade, and only three from before that, with nothing published before the 1990s. I'm happy with the variety of stories and styles I'm getting from contemporary books, so I have no particular plans about changing my selection habits, but again, we'll see what happens.
I did really well this year at choosing good books. I still don't have the hang of abandoning a book I'm not enjoying, but that wasn't an issue this year, because I was pretty happy with everything I started. (I'm not counting sampling the opening pages and quickly determining a book's not for me.) Sure, I did read some books with flaws or frustrating elements, but even those had good qualities that outweighed the problems. So if you're looking for reading suggestions, check back through my monthly reviews. I recommend everything!
Of course, I do have some favorite picks, which I've wrangled into categories:
Family: Stories about family relationships are my favorite genre and made up approximately a third of my reading this year. COMMONWEALTH by Ann Patchett (December) is a standout depiction of a family over time, with nuanced characters and situations, an unusual chronological structure, and perfectly observed details. THE NEST by Cynthia D'Aprix Sweeney (March) throws highly flawed family members into a crisis and cleverly weaves their problems and conflicts into a gripping, vibrant story. Family dynamics are more of a subplot in ENTER TITLE HERE by Rahul Kanakia (August), which portrays a high school senior's disastrous ambition through a compelling, unexpected plot and masterful handling of a tricky structural conceit. All three of these novels convey real, difficult emotions with a solid dose of humor, and they all contain characters I came to love despite their often terrible behavior.
Speculative: Out of my various science fictional and related interests, post-apocalyptic reading has been a staple for me in recent years, but I only read one such book in 2016 (insert comment about current events). THE BOOK OF THE UNNAMED MIDWIFE by Meg Elison (November) really scratched my apocalyptic itch with the gripping, brutal story of a woman surviving a world devastated by disease. Another favorite novel this year in the broader speculative genre is LOVECRAFT COUNTRY by Matt Ruff (February), a deft and thoughtful tale that subjects its characters to both supernatural horrors and the horrors of racism in 1950s America. 2016 introduced me to STORIES OF YOUR LIFE AND OTHERS (also February) by Ted Chiang, a 2002 collection of brilliantly written short stories that explore wildly original science fiction concepts.
Historical: I've always enjoyed reading good historical fiction, though I think it's only recently that I've noticed this preference. THE QUEEN OF THE NIGHT by Alexander Chee (February again!) is an intricate, suspenseful story of an opera singer in 1880s Paris and the complicated path she traveled to obtain her fame. Like any strong historical novel, it demonstrates an immense amount of research and uses that knowledge in service of character and plot, and the same is true of my top book pick of 2016: The amazing HOMEGOING by Yaa Gyasi (May/June) covers 250 years, depicting the impact of slavery on the United States and Ghana through vivid snapshots of each generation that expertly bring characters fully to life in the space of a chapter.
Good Stuff Out There:
→ At Atlas Obscura, Eric Grundhauser reports on The Highbrow Struggles of Translating Modern Children's Books Into Latin: "In addition to Green Eggs and Ham (Latin title: Virent Ova! Viret Perna!!), the Tunbergs have also translated Dr. Seuss classics How the Grinch Stole Christmas (Quomodo Invidiosulus nomine Grinchus Christi natalem Abrogaverit) and The Cat in the Hat (Cattus Petasatus), as well as Shel Silverstein's The Giving Tree (Arbor Alma)."