March 12, 2020

FOGcon 2020 Report

FOGcon 10 was last weekend, and it already seems like months ago in another era. During those last days before it became fully clear that large gatherings should be avoided, around 150 speculative literature fans came together to geek about books, other media, and the connections between imaginative stories and the real world.

There was much talk of COVID-19. (I sang "Come On Eileen" at karaoke in tribute.) We elbow-bumped and flashed the Vulcan salute instead of hugging hello. We washed our hands a lot. (The hotel staff reported they'd never had to replenish the soap and paper towels so frequently.) Despite the undercurrent of uncertainty, we had a great con.

A number of people had to make the decision not to attend due to health or travel situations, and that included one of our Honored Guests, Nisi Shawl. Happily, we were able to arrange some teleconferencing at short notice so Nisi could participate in their programming remotely. It was delightful to have them onscreen sharing their thoughts about writing and inspiration during an excellent roundtable with authors from the AfroSurreal Writers Workshop of Oakland.

Our other Honored Guest, Mary Anne Mohanraj, was present to participate in a number of panels, including one I moderated. I was very pleased by our lively discussion of societal defaults, cultural assumptions, and how genre fiction can challenge these. Mary Anne was also part of a fun panel about Food in Genre Fiction, and the topic of food made its way onto other panels, because food is great (and also Mary Anne has a new cookbook out). During her presentation on running genre nonprofits, I took copious notes on ideas that might help FOGcon grow into the future.

I attended a couple of standout panels about horror, a genre that tends to get less attention at the con than science fiction and fantasy, and one I'm gradually consuming more often. At the first of these panels, I enjoyed seeing film stills that illustrate the ways color is used in horror movies. At the other, I loved hearing the panelists analyze how horror books and films have commented on class.

As the real world takes on the qualities of various speculative genres and we hunker down at home, I'm glad I have another year of FOGcon memories to look back on and the usual long list of story recommendations to keep me distracted. I hope you all stay safe and well entertained!

Good Stuff Out There:

→ Electric Lit offers a list of books about pandemics "for people who find it oddly soothing to read about plagues." I'm in that camp, and I can heartily recommend about half these books.

March 4, 2020

February Reading Recap

With FOGcon nearly here, it's appropriate that the novels I'm recommending all take different approaches to speculative fiction:

EVERFAIR by Nisi Shawl: At the end of the nineteenth century, a group of black American Christian missionaries and white British Fabian socialists get together to purchase part of the Congo from the cruel King Leopold II of Belgium. The settlers name their new nation Everfair and attempt to provide a safe haven where the local population can escape Leopold's atrocities. As Everfair grows, the many differing goals of its founders come into conflict. The hereditary king of the territory once claimed by Belgium and now by Everfair also has plans and opinions about the new colonizers.

EVERFAIR is an impressive novel that covers thirty eventful years of alternate history, told through the well-differentiated perspectives of a dozen characters, in less than 400 pages. My summary didn't even mention the story's steampunk technology, including the fleet of aircanoes (similar to blimps) the characters use to wage war and travel in peacetime. A lot happens in this story, and it happens fast. Within the space constraints, Shawl draws the characters and their motivations very well, but I wished for more time to get to know them all. Despite that, I found much to admire and think about in this smart, exciting take on colonialism and utopianism.

MAZES OF POWER by Juliette Wade: In the underground cities of Varin, life operates according to a strict caste system and rigid cultural norms. Tagaret is from a powerful family in the noble class, and his cruel father would like to see him in line for the Eminence's throne. But Tagaret has no interest in politics, unlike his younger brother, who schemes constantly and imagines threats everywhere. When their city is thrown into turmoil by disease and a battle over succession, both brothers end up with crucial roles to play. So does their mother's new servant, who wants nothing more than to serve his lady faithfully, even when he discovers this entails more secrecy and danger than anticipated.

The world of this story is intricately, impressively developed. Wade does a good job conveying information within scenes, but there's a lot to absorb at the beginning, and it took me a little while to become fully invested in the world and characters. After a couple of chapters with each of the viewpoints, the story and its many conflicts pulled me in, and I developed a fondness for the three young men at the center, even the one who's a pretty horrible person. I did find it hard at times to understand characters' strong emotional reactions, and I wished for more to be revealed about the underground setting and its technology. But this is a promising first book in a series, and I look forward to more.

THE LOST BOOK OF ADANA MOREAU by Michael Zapata: In 1916, Adana Moreau escapes the Dominican Republic during the American occupation and guerrilla insurgency. She makes her way to New Orleans with the help of a kind pirate who becomes her husband. When their curious son Maxwell learns to read, so does Adana, and she develops a great love for books, especially science fiction and horror. She writes a novel of her own, a post-apocalyptic adventure story with parallel universes. It's published to some success, but while Adana is writing the sequel, she grows fatally ill and burns the manuscript she won't live to finish. In 2004, Saul Drower's grandfather dies, leaving behind his science fiction collection, cassette tapes of oral history interviews, and a mysterious package addressed to a Maxwell Moreau.

This wonderful novel is full of book love. While it's not a work of science fiction, its characters view the world with sci-fi sensibilities: "The sea was deep blue and alien and as vast as the sky. She imagined that in the distant future the end of the world would have its origins there and for some unknown reason this put her at ease." "His grief was already traveling backward in time from Chicago to Tel Aviv. He was already meeting himself coming the other way, like a shitty space-time opera..."

The book revolves around the literary mystery that connects the two sets of characters, all of whom I felt such tenderness for. Even more that that, it revolves around stories and journeys and the rambling path both often take. Tangents and recollections break into the narrative frequently, and I found these digressions all just as gripping as the plot I was eagerly following. Zapata has crafted a gorgeous, unusual tale, and I hope more people will find their way to it.

Good Stuff Out There:

→ At Literary Hub, Rachel Vorona Cote writes about Ramona Quimby and other beloved characters from my childhood: "In 1955, Ramona Quimby, a near American cousin of Pippi Longstocking, tumbled into the picture, all scraped knees and exuberant doodles. She and her creator, author Beverly Cleary, united with Pippi and Lindgren in literary confederation, bright beacons for little girls who have been variously told they are too much: too loud or pesky or hyperactive."